eqSounds | Splice | 761 MB
这些由Splice Originals制作人Ben Bromley对原声吉他进行的催眠式探索，其灵感来自于环境流行和迷幻民谣的交集，符合制作人Bibio、TStewart和Dustin Wong的精神，以及早期与民谣相关的歌曲作者-吉他手John Martyn、Linda Perhacs和Elliott Smith。
这个音乐包包括了一系列的指弹、弦弹和重新采样的风格，主要是用两把不同调性的日本产钢弦原声吉他–1983年的Yairi和1971年的Yamaha，以及1968年的Gibson Nylon、1919年的Gibson Mandolin和一把毡锤式的古筝。
Ben用他的声音、Splice广泛的内部多采样器库中的原声弦乐器和一批使用原声弦乐采样的新Astra预设，以及免费的MIDI和音频循环，建立了分层的歌曲开始。这些声音描绘了一个空灵和发光的声场，为你的下一个节拍、旋律或歌曲的新方向提供了灵感。
这个包还包括一套清脆的音调和打击性的单次和弦、音符、FX和敲击，以及重新采样的吉他声，形成了木质的踢踏声、坚定的小鼓声、808式的低音音符，以及丰富的音调打击。
所有的音频都是用一对XY的拜亚动力小振膜电容和/或舒尔SM-7B录制到UA Apollo x4。使用Ableton EQ和FabFilter ProQ3塑造频率。动态处理使用Ableton压缩器、Glue压缩器和Drum Bus、UAD Fairchild 670和LA-2A插件，以及Goodhertz Faraday Limiter进行。纹理处理使用Soundtoys Decapitator和Filterfreak、XLN Audio RC-20、Cymatics Origin、Valhalla SuperMassive、Ubermod、VintageDelay和VintageVerb，以及Goodhertz Tremcontrol的许多实例进行分层。
These hypnotic explorations of the acoustic guitar by Splice Originals producer Ben Bromley were inspired by the intersection of ambient pop and psychedelic folk, in the spirit of producers Bibio, TStewart, and Dustin Wong, as well as earlier folk-adjacent songwriter-guitarists John Martyn, Linda Perhacs, and Elliott Smith.
This pack includes a range of fingerpicked, strummed, and resampled styles on vintage instruments, primarily on two Japanese-made steel-string acoustic guitars in various tunings—a 1983 Yairi and a 1971 Yamaha, as well as a 1968 Gibson Nylon, a 1919 Gibson Mandolin, and a felt-hammered zither.
Ben built layered song starters using his voice, acoustic string instruments from Splice’s extensive in-house multi-sampler library, and a batch of new Astra presets using acoustic string samples, with complimentary MIDI and audio loops. Painting an etheric and glowing soundstage, these sounds were made to inspire you into new directions for your next beat, melody, or song.
This pack also includes a set of crisp tonal and percussive one-shot chords, notes, FX, and knocks, as well as resampled guitar sounds shaped into woody kicks, steely snares, 808-esque bass notes, and lush tonal hits.
All audio was recorded using an XY pair of Beyerdynamic small-diaphragm condensers and/or a Shure SM-7B into a UA Apollo x4. Frequencies were shaped using Ableton EQ and FabFilter ProQ3. Dynamic processing was done using Ableton Compressor, Glue Compressor and Drum Bus, UAD Fairchild 670 and LA-2A plugins, and Goodhertz Faraday Limiter. Textural processing was layered using Soundtoys Decapitator and Filterfreak, XLN Audio RC-20, Cymatics Origin, Valhalla SuperMassive, Ubermod, VintageDelay, and VintageVerb, and many instances of Goodhertz Tremcontrol.
采样试听：https://splice.com/sounds
内容:
· 262 Samples
· 18 Presets
· 13 Extras
