所有分类
  • 所有分类
  • Splice
  • WAVS
  • ADSR
  • Producer Loops

Hyperlight Echoes: Sci-Fi Minimalist

Hyperlight Echoes: Sci-Fi Minimalist

eqSounds | Splice | 1.25 GB

简介

Loopmasters 呈献 Celestial Soundscapes – 一款科幻电影音效库

“声称地球一定是宇宙中唯一有生命的星球,这是我们不可原谅的自大。”——尼尔·德格拉斯·泰森

最近,关于合法 UFO 和无法解释的空中目击事件的现象重新点燃了这个古老的辩论——“我们在宇宙中孤独吗?”这个问题迫使我们思考在这个漂浮在太空中的小旋转岩石上,成为人类意味着什么。

这个样本包灵感源于这个概念,即富有表现力的声音设计始于人类或自然源头。制作人 Charles Van Kirk 和作曲家/歌手 Emily Greene 通过提出以下问题创建了这个资源包:如果我们被聘请为一部艺术科幻电影(如 Arrival 或 Dune)配乐,我们可以通过仅使用人声来创建什么样的电影音乐和声音设计调色板?

该二人组开始在奇怪的空间录制他们的声音:通过 didgeridoos、风扇、在奇怪的回响房间和通过其他发现的物体唱歌。他们将这些声音与来自熔炉、马达和在夏威夷大岛上采样的鸟类声音的音调噪音相结合。

每个声音都经过采样、拉伸、重新放大、表演和重新采样,通常通过 Sensory Percussion 和不同的合成器多次重复,以产生冷酷、不祥、诡异且真正迷人的电影样本音景。

这些源自人声的样本突破了熟悉的界限,虽然它们仍然具有不可否认的“人性”,但却是科幻电影配乐的理想灵感。使用这些无人机和和弦作为黑暗电子音乐的不稳定床,或在您的下一个需要一些外星神秘感的曲目中采样感官打击乐。屈服于来自上方不祥工艺品的冷光,让自己被带到超越之处。

原文

“To declare that Earth must be the only planet with life in the universe would be inexcusably bigheaded of us” - Neil deGrass Tyson.

The recent phenomenon of legitimate UFO’s and unexplained arial sightings has reinvigorated the age old debate - “Are we alone in this universe”? This question forces us to think about what it means to be human on this small spinning rock floating through space. This sample pack is inspired by this concept that evocative sound design starts with a human or natural source. Producer Charles Van Kirk and composer/vocalist Emily Greene created this pack by asking the question: if we were hired to score an artful science fiction film such as Arrival or Dune, what sort of cinematic music and sound design palette could we create by starting with only the human voice?

The duo started by recording their voices in weird spaces: singing through didgeridoos, fans, in strange reverberating rooms, and through other found objects. They combined these sounds with tonal noises from furnaces, motors, and bird sounds sampled on the big island of Hawaii.

Each sound has been sampled, stretched, re-amped, performed and re-sampled again, often many times over through Sensory Percussion and different synths before yielding a cold, ominous, eerie, and truly captivating soundscape of cinematic samples.

Stretching the bounds of the familiar, these vocal sourced samples retain a undeniable “humanness” while being the ideal inspiration for a sci-fi film score. Use these drones and chords as unsettling beds for dark electronic music or sample the sensory percussion in your next track that needs a bit of extraterrestrial mystery. Give into the cold light from the ominous craft havering above you and let yourself be taken into the beyond.

官网试听

https://splice.com/

内容

     ·     174 Samples

资源下载
下载价格2 积分
VIP免费
大小:eqSounds | Splice | 1.25 GB
简介Title:简介
简介:

Loopmasters 呈献 Celestial Soundscapes – 一款科幻电影音效库

“声称地球一定是宇宙中唯一有生命的星球,这是我们不可原谅的自大。”——尼尔·德格拉斯·泰森

最近,关于合法 UFO 和无法解释的空中目击事件的现象重新点燃了这个古老的辩论——“我们在宇宙中孤独吗?”这个问题迫使我们思考在这个漂浮在太空中的小旋转岩石上,成为人类意味着什么。

这个样本包灵感源于这个概念,即富有表现力的声音设计始于人类或自然源头。制作人 Charles Van Kirk 和作曲家/歌手 Emily Greene 通过提出以下问题创建了这个资源包:如果我们被聘请为一部艺术科幻电影(如 Arrival 或 Dune)配乐,我们可以通过仅使用人声来创建什么样的电影音乐和声音设计调色板?

该二人组开始在奇怪的空间录制他们的声音:通过 didgeridoos、风扇、在奇怪的回响房间和通过其他发现的物体唱歌。他们将这些声音与来自熔炉、马达和在夏威夷大岛上采样的鸟类声音的音调噪音相结合。

每个声音都经过采样、拉伸、重新放大、表演和重新采样,通常通过 Sensory Percussion 和不同的合成器多次重复,以产生冷酷、不祥、诡异且真正迷人的电影样本音景。

这些源自人声的样本突破了熟悉的界限,虽然它们仍然具有不可否认的“人性”,但却是科幻电影配乐的理想灵感。使用这些无人机和和弦作为黑暗电子音乐的不稳定床,或在您的下一个需要一些外星神秘感的曲目中采样感官打击乐。屈服于来自上方不祥工艺品的冷光,让自己被带到超越之处。

原文Title:原文
原文:

“To declare that Earth must be the only planet with life in the universe would be inexcusably bigheaded of us” – Neil deGrass Tyson.

The recent phenomenon of legitimate UFO’s and unexplained arial sightings has reinvigorated the age old debate – “Are we alone in this universe”? This question forces us to think about what it means to be human on this small spinning rock floating through space. This sample pack is inspired by this concept that evocative sound design starts with a human or natural source. Producer Charles Van Kirk and composer/vocalist Emily Greene created this pack by asking the question: if we were hired to score an artful science fiction film such as Arrival or Dune, what sort of cinematic music and sound design palette could we create by starting with only the human voice?

The duo started by recording their voices in weird spaces: singing through didgeridoos, fans, in strange reverberating rooms, and through other found objects. They combined these sounds with tonal noises from furnaces, motors, and bird sounds sampled on the big island of Hawaii.

Each sound has been sampled, stretched, re-amped, performed and re-sampled again, often many times over through Sensory Percussion and different synths before yielding a cold, ominous, eerie, and truly captivating soundscape of cinematic samples.

Stretching the bounds of the familiar, these vocal sourced samples retain a undeniable “humanness” while being the ideal inspiration for a sci-fi film score. Use these drones and chords as unsettling beds for dark electronic music or sample the sensory percussion in your next track that needs a bit of extraterrestrial mystery. Give into the cold light from the ominous craft havering above you and let yourself be taken into the beyond.

官网Title:官网试听
官网试听:https://splice.com/
内容Title:内容
内容:

     ·     174 Samples

0
没有账号?注册  忘记密码?