eqSounds | Splice | 496 MB
简介
Physical modeling synthesis，通过数学复制真实世界声音的一种合成方式，拥有着一种神秘的特质：既熟悉又超乎现实。物理建模通常用于复制真实乐器的声音，它不仅可以模拟声音的听感，还可以模拟演奏的方式。
制作人盖伦·蒂普顿 (Galen Tipton) 使用各种物理建模软件，尝试突出物理建模合成的超真实感并将其发挥到极致，创造出既真实可触又几乎无法在现实中复制的声音。盖伦还将自然界和家居环境的录音通过共振体和材料（模拟碗、管子和盘子）进行处理，将平凡的日常声音转化为非凡的声音。最终的结果是一系列既非常易理解、用途广泛，又独一无二地不属于我们世界的音效样本。
无论使用本名还是艺名“recovery girl”，来自俄亥俄州的盖伦·蒂普顿都得到了伊ggy Pop、大卫·伯恩 (David Byrne)、Adult Swim 和安东尼· فانت亚诺 (Anthony Fantano) 等人的认可。她曾在 Orange Milk Records、Deskpop 和 Unseelie 等厂牌发行过大量作品，并与包括实验音乐巨头 Giant Claw (因其作品《Deaths Dynamic Shroud》而出名)、Holly Waxwing、Seth Graham 和 Nmesh，以及地下流行偶像 Lil Mariko、GFOTY、Putochinomaricon 和 Moodkiler 在内的各种网络流派的无数艺术家合作过。她拥有自己的厂牌“社区花园”，致力于社区建设、分享和易得性。最近，她因其在 TikTok 上的“大脑抓挠”音乐而走红，这种音乐融合了耳音刺激 (ASMR)、智能舞曲 (IDM) 和环境音乐的元素，令人振奋。在她所有的作品中，无论是流行、俱乐部还是声音拼贴，她的核心都在于寻找挑战与易懂之间的联系组织，并始终充满着强烈的可玩性。
原文
Physical modeling synthesis, the process of using math to replicate a real world sound using synthesis, has an uncanny quality about it; so familiar yet hyperreal. Often used to replicate the sound of real world instruments, physical modeling can simulate not only how an acoustic instrument sounds, but how it is played as well.
Using various physical modeling softwares, producer Galen Tipton attempted to highlight the hyperreality of physical modeling synthesis and push the parameters to the max, creating sounds that were tangible yet near impossible to replicate in reality. Galen also ran field recordings of nature and household sounds through resonant bodies and materials (simulating bowls, tubes, and plates) to turn the ordinary everyday sounds into the extraordinary. The result is a collection of sound specimens that are both very comprehensible, versatile, yet uniquely not of our world.
Releasing music under both her given name and “recovery girl” Ohio native Galen Tipton has been recognized by the likes of Iggy Pop, David Byrne, Adult Swim, and Anthony Fantano. She has released numerous projects on Orange Milk Records, Deskpop, and Unseelie collaborating with countless artists across all types of internet genres including the experimental music giants like Giant Claw (of Deaths Dynamic Shroud fame), Holly Waxwing, Seth Graham and Nmesh, to underground pop icons like Lil Mariko, GFOTY, Putochinomaricon, and Moodkiler. She has her own label “Community Garden” focused on community building, sharing and accessibility. Recently she has gone viral on Tik Tok for her “brain scratch” music, a stimulating blend of ASMR, IDM and ambient. In all her work whether it be pop, club or sound collage her focus is finding the connective tissue between the challenging and the accessible, always with a strong sense of play.
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