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Samplers From Mars

Samplers From Mars

eqSounds | Splice | 10 MB

简介

Vintage Samplers:你的秘密武器

复古采样器是声音设计制作人的秘密武器。即使只是将鼓或合成器样本加载到合适的复古采样器上,也会添加一种无法使用传统处理实现的沙砾、冲击力和音色。数字转换以一种方式塑造样本,使其更适合“生产”。当这与这些机器强大的过滤器、独特的音高移位算法以及高级编辑和处理功能相结合时,它会产生一些非常独特和令人兴奋的声音。

对于这个包,我们使用 3 个经典采样器加载了单次击打,并使用了转换、滤波和移位将它们转换为一组声音,这些声音响亮而大胆,清脆而肮脏 – 非常适合 boom bap、经典 techno、house 或您的现代流行音乐制作。所有这些样本都通过使用母带级转换的模拟信号链重新录制。

我们在这个包中使用的采样器是:

S612: S612 是一款被严重低估的 12 位采样器,于 1985 年推出,无论您放入其中什么,它都会产生无尽的灵感转换。它的功能简单但强大:可选的 4 Hz – 32kHz 采样率、一个甜美的模拟滤波器、输入削波、老式音高(带 LFO)、循环、反转,最重要的是:用于调整开始、结束和循环点的前面板滑块。 借助这些参数,612 能够处理各种声音,从厚实的、多汁的贝斯到柔滑的 lead、过载的鼓和低保真失真狂潮。

SP: SP 是一款温暖粗犷的 12 位采样器,于 1987 年开发,以其对黄金时代嘻哈、经典 house 和法国 house 的巨大贡献而闻名。 在 26.04 kHz 采样率下,人们描述的“乙烯基般的声音”是通过温暖的模拟滤波器传递的数字混叠和失真的组合。 它的音高移位也特别容易识别,并且是许多经典的 90 年代鼓声的原因。

S950: S950 是一款于 1988 年发布的大块机架式采样器,也是第一批在不影响音高的情况下提供时间拉伸的机器之一。 这台机器是 90 年代早期嘻哈制作人和当时 techno 之神的最爱。 声音以不同的削波电平、采样率、带宽和比特率采样到 950。

这些采样器的声音可以用于以下风格:

  • boom bap
  • 经典 techno
  • house
  • 现代流行音乐制作

如果您想使用复古采样器来创建独特和令人兴奋的声音,那么这个包非常适合您。

原文

Vintage Samplers are the sound designing producer’s secret weapon. Even just loading a drum or synth sample onto the right vintage sampler adds a grit, punch, and tone that is unachievable using traditional processing. The digital conversion shapes a sample in a way that makes it much more ‘production-ready’. When that is combined with the awesome filters, unique pitch shifting algorithms, and advanced editing and processing capabilities of these machines, it makes for some seriously unique and exciting sounds.

For this pack loaded up 3 classic samplers with one shots and used the conversion, filtering, and shifting to transform them into a pack of sounds that are punchy and bold, crispy and dirty – perfect for boom bap, classic techno, house, or for your modern pop productions. All of these samples were recorded back through an analog signal chain using mastering grade conversion.

These are the Samplers we used in this pack:

S612:

The S612 is a massively underrated 12bit sampler from 1985 that yields endlessly inspiring transformations of whatever you put into it. Its features are simple but powerful: a selectable sample rate from 4 Hz – 32kHz, a sweet, analog filter, input clipping, old school pitching (with LFO), looping, reversing, and best of all: front-panel sliders for adjusting start, end and loop points. With these parameters the 612 is capable of everything from thick, juicy bass, to silky leads, overdriven drums, and lo-fi glitched out madness.

SP:

The SP is a warm and gritty 12bit sampler developed in 1987, best known for its huge contributions to golden age hip hop, classic house and french house. At 26.04 kHz sample rate, the “vinyl like” sound people describe is a combination of digital aliasing and distortion passed through a warm analog filter. Its pitch shifting sounds particularly recognizable as well and is responsible for many a classic 90s drum sound.

S950:

A chunky rack unit sampler released in 1988 and one of the first of its class to offer time stretching without affecting pitch. This machine was a favorite of early 90s hip hop producers as well as the techno gods of the era. Sounds were sampled into the 950 at varying clipping levels, sample rates, bandwidths, and bit rates.

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