eqSounds | Splice | 598 MB
Sonic Collective与制作人、现场录音师和作曲家/表演者Susie Ibarra和Jake Landau合作，录制了来自南部德拉谷的5个传统艺术家团体的打击乐、长笛和弦乐。这些团体的特点是Def、Akalal、Ganga、Hassani、Gnawa和Desert Blues。与Joudour撒哈拉音乐项目、Playing for Change基金会和Aziza Chaouni项目合作制作，该声音集在M’Hamid El Ghizlane录制，这是摩洛哥东南部南德拉谷的最后一片绿洲。
“南德拉河谷，由于其位于古代商队路线的十字路口和撒哈拉沙漠的边缘，具有独特的文化遗产，受到撒哈拉以南、阿拉伯和阿马兹格传统的影响。姆哈米德是盐和黄金商队路线上的重要一站，几个世纪以来，来自塞内加尔、尼日尔、马里、毛里塔尼亚、阿尔及利亚以及更远的阿拉伯世界的游牧民族不仅在前往马拉喀什的路上经过这里，从廷巴克图带来黄金和其他地区的货物，而且在德拉河的绿洲内定居，因为它提供了围绕丰富的枣树建立生计的机会。
“德拉河谷的传统歌曲是文明与自然和谐相处的结果，这也是绿洲文化的特点，其中周围景观和气候的严酷性被自然资源的集体管理、可耕地的有效耕种和商队贸易所抵消了。几个世纪以来，德拉河谷在摩洛哥文化生活中发挥了核心作用，因为它是来自阿拉伯世界的伊斯兰文明、来自北方的西方文明和来自南方的非洲文明的交汇点。”
Joudour Sahara音乐项目是M’hamid El Ghizlane的一个非政府组织，其使命是保护和促进德拉河谷丰富的文化和环境遗产。Joudour Sahara接触到200多名传统音乐家、100名青年，并让该地区的几十名农民参与进来，对文化和环境的保护采取全面的方法。
功劳：
阿卡莱尔和德夫乐团：
拉尔比-埃尔卡穆尼–Def鼓
Elmahjoub Kadiri – Sif（剑）。
艾哈迈德-祖阿乌伊–拉伊斯
阿卜杜拉齐兹-埃尔卡迪里–防御鼓
穆罕默德-达马赫–防御鼓
Elhachmi Fitah – 后备鼓
Ali Kalamouni – 声乐和合唱
Boussedra Elafouri – 塔拉（大架鼓）
Mohamed Elallaouy – 防御鼓
Saddik Kadouri – Ney (长笛)
Brahim Eladoumi – 声乐、Tara（大架鼓）和Chiekh
穆罕默德-埃拉弗里-防御鼓
拉拉比-阿玛拉兹–塔雷加（陶罐鼓）
Mohamed Amallaz – Tareja（陶罐鼓）和声乐
甘加乐团：
Salahdine Elberkaoui – Krakab (金属打击乐)
Faraji Salmi – Krakab (金属打击乐)
Masoud Mahjoubi – Dandoun (大鼓)
Blall Ait Hda – Dandoun (大鼓)
Mohamed Erriadi – Krakab (金属打击乐)
Hamdi Fatihe – Dandoun (大鼓)
Boujemaa Zaid – Dandoun (大鼓)和声乐
Mohamed Elberkaoui – 声乐和Raiss (Thomas , What is this ? )
Jouad Elberkaoui – Krakab (金属打击乐)
格纳瓦人：
Azeddine Ait Faraji – Guembri (低音弦乐器)
Mimoun Ait Faraji – Krakab (金属打击乐)
Elmokhtar Ait Faraji – Krakab (金属打击乐)
Brahim Benarbi – Krakab (金属打击乐)
哈萨尼三重奏：
姆巴卡-穆尼贾–拍手
Laatiga Laatig – Tabal (小手鼓)
Sidi Ahmed – Tidinit (弦乐器)
沙漠蓝调
Naji Alamrani – 木吉他
Rachid Berazougui – 原声和电吉他
卡萨姆-贾尔杜吉 – 原声吉他
穆罕默德-萨博 – 吉姆鼓
照片：
Thomas Duncan
Sonic Collective collaborated with producers, field recordists and composer/performers Susie Ibarra and Jake Landau to record a collection of percussion, flute and strings from 5 traditional artist groups from the Southern Drâa Valley. These groups feature Def, Akalal, Ganga, Hassani, Gnawa and Desert Blues. Produced in collaboration with Joudour Sahara Music Program, Playing for Change Foundation, and Aziza Chaouni Projects, the collection of sounds was recorded in M’Hamid El Ghizlane, the last oasis in the Southern Draa Valley of southeastern Morocco.
“The Southern Drâa Valley, because of its liminal localization at the crossroads of ancient caravan routes and at the edge of the Sahara desert, has a unique cultural heritage, is influenced by Sub-Saharan, Arabic and Amazigh traditions. A key stop along the salt and gold caravan routes, M’hamid for centuries has seen bands of nomads from Senegal, Niger, Mali, Mauritania, Algeria, and further east from the Arab world not only pass through on their way to Marrakesh to bring gold from Timbuktu and goods from other areas, but settle within the oasis of the Drâa River as it provided opportunity to build a livelihood around the plentiful date palm trees.”
“The traditional songs of the Drâa Valley are a result of the harmony between civilization and nature that characterize culture of the oasis, in which the harshness of the surrounding landscape and climate is counterbalanced by a collective management of natural resources, the efficient cultivation of arable land, and caravan trade. For several centuries, the Drâa Valley has played a central role in Moroccan cultural life, since it was the crossroad of Islamic civilizations coming from the Arab world, western civilizations coming from the Nord, and African civilizations coming from the South.”
The Joudour Sahara Music Program is a NGO in M’hamid El Ghizlane whose mission is to preserve and promote the rich cultural and environmental heritage of the Draa River Valley. Joudour Sahara reaches more than 200 traditional musicians, 100 youth, and engages dozens of farmers in the region for a holistic approach to cultural and environmental conservation.
Credits:
Akalal and Def Ensembles:
Larbi Elkalmouni – Def Drum
Elmahjoub Kadiri – Sif (Sword)
Ahmed Zouaoui – Raiss
Abdelaziz Elkhadiri – Def Drum
Mohamed Daamach – Def Drum
Elhachmi Fitah – Def Drum
Ali Kalamouni – Vocals and Chiekh
Boussedra Elafouri – Tara (Large Frame Drum)
Mohamed Elallaouy – Def Drum
Saddik Kadouri – Ney (Flute)
Brahim Eladoumi – Vocals , Tara (Large Frame Drum) and Chiekh
Mohamed Elafouri – Def Drum
Larabi Amallaz – Tareja (Clay Pot Drum)
Mohamed Amallaz – Tareja (Clay Pot Drum) and Vocals
Ganga Ensemble:
Salahdine Elberkaoui – Krakab (Metal Percussion)
Faraji Salmi – Krakab (Metal Percussion)
Masoud Mahjoubi – Dandoun (Large Drum)
Blall Ait Hda – Dandoun (Large Drum)
Mohamed Erriadi – Krakab (Metal Percussion)
Hamdi Fatihe – Dandoun (Large Drum)
Boujemaa Zaid – Dandoun (Large Drum) and Vocals
Mohamed Elberkaoui – Vocals and Raiss (Thomas , What is this ?)
Jouad Elberkaoui – Krakab (Metal Percussion)
Gnawa:
Azeddine Ait Faraji – Guembri (Bass Stringed Instrument)
Mimoun Ait Faraji – Krakab (Metal Percussion)
Elmokhtar Ait Faraji – Krakab (Metal Percussion)
Brahim Benarbi – Krakab (Metal Percussion
Hassani Trio:
Mbarka Mounija – Clapping
Laatiga Laatig – Tabal (Small Hand Drum)
Sidi Ahmed – Tidinit (Stringed Instrument)
Desert Blues:
Naji Alamrani – Acoustic Guitar
Rachid Berazougui – Acoustic and Electric Guitar
Kasam Jardouj – Acoustic Guitar
Mohamed Saber – Djembe
Photo:
Thomas Duncan
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