eqSounds | Splice | 1 GB
简介
为了《血与尘：电影西部》，我们与卢克·奥马利合作，他创作了层次分明的吉他曲。然后我们加入了其他电影元素，如铃铛、口哨、弦乐和定音鼓。我们从卢克为 Rockstar Games 的《荒野大镖客》（2008 年）和《荒野大镖客 2》（2017 年）制作的游戏视频中汲取灵感。
为了写出符合游戏审美的音乐，卢克沉浸于 Ennio Morricone、Luis Bacalov、Bruno Nicolai、Roberto Pregadio、Allesandro Allesandroni、Stelvio Cipriani 的西部片配乐中。一些作为灵感来源的电影包括：《复仇者》、《血与尘》、《黄金沙漠》和《魔鬼来了》等。
除了这些原声带，卢克还模拟了今天西部电影的声音，使这个包具有现代感。他还手工制作了一个功放套件，它是 60 年代四个不同芬达（Fender）功放的电路克隆。你可以在包里找到的乐器包括班卓琴、古典吉他、钢弦吉他、一个 966 芬达科罗纳多（Fender Coronado）、两把卢克在制作《荒野大镖客 2》（Red Dead Redemption 2）时制作的定制吉他等等。
其他使用的设备包括 Gamechanger 效应的 Lightpedal、Chase Bliss 的 CXM 1978 混响（Lexicon 224 的复制品）、Catalainbread Fuzzrite（所有意大利西部片中使用的 Mosrite 失真复制品）和 Black Cat Monster K-fuzz（Kay Fuzz 的复制品）等。
老西部片的声音经常被采样，这些声音已经现代化，可以无缝地融入您的曲目或乐谱中。
原文
For Blood and Dust: Cinematic Western, we collaborated with Luke O'Malley, who wrote the layered guitar compositions. Then we added other cinematic elements like bells, whistles, strings, and timpanis. We pulled inspiration from Luke's work on the video games Red Dead Redemption (2008) and Red Dead Redemption 2 (2017) by Rockstar Games.
To write music that would fit the aesthetic of the game, Luke immersed himself n the Spaghetti Western soundtracks of Ennio Morricone, Luis Bacalov, Bruno Nicolai, Roberto Pregadio, Allesandro Allesandroni, Stelvio Cipriani. Some of the movies that served as inspiration included: A Man Named Vengeance, Blood and Dust, A Desert of Gold, and The Devil Came to Town, among others.
In addition to those soundtracks, Luke channeled what a Western film might sound like today, rounding this pack out with a modern feel. He also built an amp kit by hand that's a circuit clone of four different Fender amps from the '60s. Instruments you'll find in the pack include banjo, classical guitar, lap steel, a 966 Fender Coronado, two custom guitars Luke had built while working on Red Dead Redemption 2, and more.
Other gear used included a Lightpedal by Gamechanger effects, CXM 1978 reverb by Chase Bliss (a replica of the Lexicon 224), Catalainbread Fuzzrite (a recreation of the Mosrite fuzz that was used on all the Spaghetti Westerns), and a Black Cat Monster K-fuzz (a replica of the Kay Fuzz), among others.
The sounds of old Westerns are sampled often and these sounds are already modernized to fit seamlessly into your track or score. Yeehaw, y'all.
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内容
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