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Sounds of Mauritius

Sounds of Mauritius

eqSounds | Splice | 343 MB

简介

毛里求斯被认为是印度洋马斯克林群岛的宝石,位于非洲东海岸1200英里之外。毛里求斯的音乐根源于17世纪被带到那里的奴隶的非洲-马达加斯加舞蹈和音乐传统,以令人陶醉的三连音为基础的律动为特色。这种风格以前被称为 Tschiéga,今天被广泛称为 Sega。Sega 通常使用打击乐器演奏,如 Ravan(山羊皮鼓)、Maravanne(甘蔗制成的体鸣乐器/摇奏器)和三角铁,通常即兴表演,特色是歌手或歌手团体表达最初被奴役的被压迫人群的苦难。

这个包包含了以前从未作为样本录制过的手工制作的稀有毛里求斯打击乐器。所有乐器都由受益于该包创作的才华横溢的当地音乐家演奏,包内还包含了由该风格的传奇人物表演的传统 Sega 吟唱。除了包含罕见的声音和独特的毛里求斯 Sega 律动,这个包还保存了那些逐渐被遗忘的传统乐器。

原文

Considered the jewel of the Indian Ocean’s Mascarene Islands, Mauritius is located 1200 Miles off the East Coast of Africa. The music of Mauritius has roots in Afro-Malagassy dance and music traditions from the slaves brought there in the 1600’s and features an intoxicating triplet-based groove. This style was formerly known as Tschiéga, today widely known as Sega. Performed with percussion instruments such as the Ravan (goat skin drum), the Maravanne (sugar cane idiophone/shaker) and triangle, Sega is often improvised and features  singers or groups of singers expressing the tribulations of a subjugated, initially enslaved population.

This pack contains handmade rare Mauritian percussion instruments never recorded as samples before. All instruments are played by talented local musicians who benefitted directly from the creation of the pack, which also contains traditional Sega chanting performed by legends of the style. Besides containing rare sounds and the unique Mauritian Sega groove, this pack conserves traditional instruments that are fading into obscurity.

Musicians:

Samule Debois played three types of Ravan’s, two goat skin and one synthetic, as well as the Gerican.

Ti Punk played the Maravan and the rare Pistache.

Kurwin Castel played the triangle, Bobbre and Serpe.

Elvis Heroseau played keys.

Ophely Sauteur, Jason Heerah and the legendary Clarel Armelle on vocals.

Recorded at Studio Kapricorn, these sounds where tracked by using multiple microphone techniques. Close miking was taken care by BeyerDynamic M160 ribbon mics and Shure SM57 dynamics. Townsend Sphere mic took care of the far miking with an array of emulators used. Neve 1073 style preamps were adopted as front end feeding Antelope Orion A/D high end converters.

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     ·     257 Samples

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大小:eqSounds | Splice | 343 MB
简介Title:简介
简介:

毛里求斯被认为是印度洋马斯克林群岛的宝石,位于非洲东海岸1200英里之外。毛里求斯的音乐根源于17世纪被带到那里的奴隶的非洲-马达加斯加舞蹈和音乐传统,以令人陶醉的三连音为基础的律动为特色。这种风格以前被称为 Tschiéga,今天被广泛称为 Sega。Sega 通常使用打击乐器演奏,如 Ravan(山羊皮鼓)、Maravanne(甘蔗制成的体鸣乐器/摇奏器)和三角铁,通常即兴表演,特色是歌手或歌手团体表达最初被奴役的被压迫人群的苦难。

这个包包含了以前从未作为样本录制过的手工制作的稀有毛里求斯打击乐器。所有乐器都由受益于该包创作的才华横溢的当地音乐家演奏,包内还包含了由该风格的传奇人物表演的传统 Sega 吟唱。除了包含罕见的声音和独特的毛里求斯 Sega 律动,这个包还保存了那些逐渐被遗忘的传统乐器。

原文Title:原文
原文:

Considered the jewel of the Indian Ocean’s Mascarene Islands, Mauritius is located 1200 Miles off the East Coast of Africa. The music of Mauritius has roots in Afro-Malagassy dance and music traditions from the slaves brought there in the 1600’s and features an intoxicating triplet-based groove. This style was formerly known as Tschiéga, today widely known as Sega. Performed with percussion instruments such as the Ravan (goat skin drum), the Maravanne (sugar cane idiophone/shaker) and triangle, Sega is often improvised and features  singers or groups of singers expressing the tribulations of a subjugated, initially enslaved population.

This pack contains handmade rare Mauritian percussion instruments never recorded as samples before. All instruments are played by talented local musicians who benefitted directly from the creation of the pack, which also contains traditional Sega chanting performed by legends of the style. Besides containing rare sounds and the unique Mauritian Sega groove, this pack conserves traditional instruments that are fading into obscurity.

Musicians:

Samule Debois played three types of Ravan’s, two goat skin and one synthetic, as well as the Gerican.

Ti Punk played the Maravan and the rare Pistache.

Kurwin Castel played the triangle, Bobbre and Serpe.

Elvis Heroseau played keys.

Ophely Sauteur, Jason Heerah and the legendary Clarel Armelle on vocals.

Recorded at Studio Kapricorn, these sounds where tracked by using multiple microphone techniques. Close miking was taken care by BeyerDynamic M160 ribbon mics and Shure SM57 dynamics. Townsend Sphere mic took care of the far miking with an array of emulators used. Neve 1073 style preamps were adopted as front end feeding Antelope Orion A/D high end converters.

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内容Title:内容
内容:

     ·     257 Samples

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